Artist Journal
From Realism to Rupture: Why I Painted Through ...
A process note on using abstraction to interrupt a resolved portrait without erasing the identity of the figure.
From Realism to Rupture: Why I Painted Through ...
A process note on using abstraction to interrupt a resolved portrait without erasing the identity of the figure.
Why I Painted Two Blindfolded Figures in What W...
A reflection on trust, inheritance, guidance, and uncertainty through two blindfolded figures and a gold circular form.
Why I Painted Two Blindfolded Figures in What W...
A reflection on trust, inheritance, guidance, and uncertainty through two blindfolded figures and a gold circular form.
I Met a Woman in Morocco I Couldn't Stop Thinki...
A firsthand reflection on the encounter in Morocco that became Found in the Medina, and how memory, observation, and a real circular form became part of the painting’s visual language.
I Met a Woman in Morocco I Couldn't Stop Thinki...
A firsthand reflection on the encounter in Morocco that became Found in the Medina, and how memory, observation, and a real circular form became part of the painting’s visual language.